I’ve always had a strange relationship with Kamelot . They’ve always been one of those bands on my periphery. I love power metal and symphonic metal; it’s a core part of my identity. However, for whatever reason, Kamelot has always just been one of those bands that don’t click in my head. Which makes no sense, since I am a fan of the overall genre and many of their contemporaries. However, I can never truly say that I’m a fan. I’ve seen them perform live many times over the years, and I’ll admit, they are impressive. I can’t truly fault them as musicians or songwriters. It’s so difficult to put my finger on it. So, with their fourteenth studio record, Dark Asylum coming out, I thought I would take an opportunity to listen to it and really try to engage with the material. Their longtime producer Sascha Paeth returns to helm the album, also contributing additional guitars, alongside Jacob Hansen, who oversees mixing and mastering. So the band are well within their realm of stability and...
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